20
Up the River
Big City Blues
Love Affair
Three on a Match
Ed said
to magnify stingrays
so I did
Why is it so simple
this thinking
of outrageous brutality?
The rain returns
frozen, sparkling noisily
in the empty fireplace
at work and at home
I scale the fire escape
in order to scrape
the bus engine again
with my breathing
It’s a terrible and wondrous
weight, this
ceaseless mingling
in space
21
A marvelous barbarism
A blue pill
A precarious accord
Then it was night
again, every negated thing
testing shadows
against our brown stoop
I, who even
today am frightened
by carolers—
their terrible singing grins
In an amnesiac land:
amnesiac oranges
amnesiac bridges
amnesiac glaciers
22
One must be very humane
to say “I don’t know that”
Is there use
in telling
others the words
of others?
Are we allowed to imagine
Adam as a child?
I name people’s cats
I name them: Dirtwater, Thirsty, Cloud with Bones
As a child I wondered endlessly
over the pronunciations
of words such as ‘the’
If we move fast enough
in arbitrary ways
nobody will see us
I dreamt I was entered
by the spirit
of my grandfather
which called itself a current
of fortuitous noise
23
Sexual music—is there any
other kind?
Birdsong
Eyesong
Amsong
The musicality of animals
oscillates in compulsion
like an eyelid
The choreography of the tick
is not small
because it is (relatively) small
The choreography of the tick
is small because it is
not restive
Art is of the animal
instantaneous
No comments:
Post a Comment